As of 2014, the 5088 is available in standard (light blue) and Shelford (dark grey blue) finishes. ”, “I was really considering two other consoles, but they sent me a couple [Shelford] modules to listen to, and the comparison wasn’t even fair – the Shelford modules had so much tone and depth, and the Silk feature is just amazing.I haven’t used a tube preamp since last February. The 5088 fits in perfectly with that aesthetic.”, “the sound is perfect! And it both sounds and looks stunning! The significance of this enormous dynamic range and the frequency response that extends comfortably towards 100kHz lies in the ability of the 5088 to source, retain and mix the microscopically tiny signals that are essential to retention and enhancement of the full soundscape.”. Stereo channels do have a width control, which adds or subtracts from the difference of the stereo sum and difference signal. We just moved two cables over to the center section of the 5088 and monitored Pro Tools and, with a number of people that I trust in the room, everybody’s jaws dropped.”, “”We are so happy – the sound is gorgeous.” The monitor master section has 6 source selections, 3 transformer-coupled speaker outputs, talkback, oscillator controls, 2 VU meters, stereo inserts, stereo level and control room master level. As his first fully discrete mixing design in over 30 years, the 5088 incorporates and improves upon many of the same concepts, such as the single-sided, fully discrete amplification and complete transformer isolation that made his original designs so revered – except unlike many of those aging classics, maintenance is no longer a full time job. Internal, group, solo, aux and master busses are linked through ribbon cables. The input section of the 5088 is where your signal enters the storied Rupert Neve circuitry. There have even been 5088 consoles built with other consoles’ modules in the penthouse. Rupert Neve Designs’ own SwiftMix™ can be included in any 5088 configuration to add moving fader automation and DAW control functionality. Exclusive deals, delivered straight to your inbox. The best part is that if you do manage to push it hard enough, the overdrive is very nice and musical.”, 513 Analog Recording | Tempe, AZ, USAAdam Audio | Toronto, CanadaAlan Parsons | Santa Barbara, CA, USAAlice’ Restaurant | New York, NY, USAAngus Maclean | Calgary, Alberta, CanadaAnton JohnsonApex Audio | BelgiumBrett Orrison, The Austin Recording Service | Austin, TX, USAAnton JohnsonAV Plus | DubaiBabajim Istanbul Studios | TurkeyBibio | UKBig One MusicBlue Man Group, LoHo Studio | New York, NY, USABig Blue Meenie | Hoboken, NJ, USABig Blue North | Utica, NY, USABob Mithoff | LA, CABolo Digital | Denton, TX, USABlue Rock Studios | Wimberley, TX, USAChris LopezCircle House Studios | Miami, FL, USACoast Recorders | San Francisco, CA, USAColdwater Studios | Los Angeles, CA, USAUniversity of Colorado | Denver, CO, USAColour Haze Studio | GermanyConcordia University Irvine | Irvine, CA, USACounterpoint Studios | Salt Lake City, UT, USADarkSky Media | Melbourne, Australiadeadmau5 | Ontario, CanadaDick & Rogers | Vancouver, CanadaDoctor Wu’s | Brooklyn, NY, USADrexel University | Philadelphia, PA, USADweezil Zappa / Utility Muffin Research Kitchen | Los Angeles, CA, USAEsplanade Studios | New Orleans, LA, USAFull Sail University | Winter Park, FL, USAGaira Musica Local Estudios | Bogota, ColombiaGeejam Studios | Port Antonio, JamaicaGorbals Sound | Glasgow, ScotlandGravity StudiosUniversity of Hawaii | Honolulu, HI, USAHear Studios | Camden, ME, USAHeavenly Sound | ChinaHoneytone StudioUniversity of Iowa | Iowa City, Iowa, USAISPAJackpot Studios | Portland, OR, USAJaap Hamburger | Vancouver, BC, CanadaJeremy Jones | Seattle, WA, USAJimmy Buffett | USAKuhl Musik | Toronto, CanadaLola Music Studios | Los Angeles, CaliforniaMalabar Music | Oslo, NorwayMonenschpfeffer | Bochum, GermanyMOXE | Nashville, TN, USAMunchin Music | GermanyMusicians Institute | Los Angeles, CA, USANarwhal Music Studios | Chicago, IL, USANK Sound Tokyo | Tokyo, JapanNYU Clive Davis Institute | New York, NY, USANNK Studio | Moscow, RussiaNo Shame Labs | New York, NY, USAOberlin College & Conservatory | Oberlin, OH, USAOcean Sound Recordings | Giske, NorwayOhio University | Athens, OH, USAPaul Dinletir Peter BuffettPeter Kruder | AustriaPolosud Records | Napoli, ItalyPrimo Music, Mario Quintero | San Diego, CA, USAPro Audio LA | Los Angeles, CA, USA – LOS ANGELES SHOWROOMRCA Studio B | Nashville, TN, USARetrophonics Recording Studios | St. Augustine, FL, USARob Fusari | New York, NY, USARoselane Studios | Santa Barbara, CA, USARoulette | Brooklyn, NY, USARoyal Danish Academy of Music | Copenhagen, DenmarkSandlane Recording Facilities | Rijen, NLSan Francisco Conservatory of Music | San Francisco, CA, USASanta Barbara Sound Design | Santa Barbara, CA, USAScott Dargan | Washington DC, USASean FooteShanghai Conservatory of Music | Shanghai, ChinaSherpa Studios | St. Louis, MO, USASono Records | Czech RepublicSound Spa Productions | New Jersey, USASpaceflight Records | Austin, TX, USAStonebridge Studios | Leesburg, VA, USAStudio 2010 | Tokyo, JapanStuart Martin Audio | Leesburg, VA USAStudio White Noise | Orlando, FL, USASydney Tan | SingaporeTenda da Reposa | Rio de Janeiro, BrazilThird Man Records | Nashville, TN, USAThe Vault Recording Lounge | Marietta, GA, USAVDS | Kyiv, UkraineUsher (home studio) | Atlanta, GA, USAWillie Nelson’s Pedernales | Austin, TX, USAWoody Tone Studios | Vienna, AustriaYellow Box Studios | Singapore. Rupert Neve recognizes that no two studios are alike, which is why the 5088 is completely modular. Being music makers ourselves, we love geeking out on all things gear. Rely on your 500 Series modules? ”, “The RND 5088 is distinguished by its neutrality and high headroom, both of which are critical in our jazz and classical applications..We selected the RND after carefully auditioning desks in Los Angeles; the great sound and solid feel of the console was critical in our decision.”, “I used to have to work so hard to get a mix to sound half as good as it does with me just putting it through the 5088 without doing a thing to it… I can really hit the 5088’s mix bus – it takes it, and it likes it! If you run out of channels, you can use these stereo FX inputs as transformer-coupled pairs. His unique understanding of analog circuitry forged a sound that is instantly recognizable, known collectively as the “Rupert Neve sound.” For the uninitiated, the recent Sound City documentary serves as a great primer for the magic that comes from voltage saturating a transformer, which became the signature sound of Rupert Neve gear. Moving down the strip, there are nine pushbuttons that handle bus assignments for the channel input. Get Directions | As an option, any 5088 configuration may be outfitted with a VU meterbridge at an additional cost. The definitive 1073 feature set, complete with mic pre, highpass filter, and 3-band inductor EQ. Rupert Neve input and output transformers are onboard to give your tracks that distinctly British sound. The perfect companion to the 5012 or 5033. From the earliest days all my designs, both inputs and outputs, were transformer-coupled. Phone Hours | But the 5088’s modular design not only makes it extremely flexible, it also simplifies cleaning and maintaining the console. An audio transformer cannot be entirely successful without including the electronic circuit in the design because it works as an integrated package. As his first fully discrete mixing design in over 30 years, the 5088 incorporates and improves upon many of the same concepts, such as single-sided, fully discrete amplification, and complete transformer isolation, which made those original designs classic. You can save space in the input section by making your inputs stereo channels. The meter bridge can be secured to either the top of a standard 5088 frame or the top of a penthouse rack. These custom transformers couple every input and output in the 5088 (even the inserts! You can switch between three different pairs of monitors, with a high-quality monitor output level pot and a 20dB dim switch. Multiple expansion chassis may be added depending on what is required. The same stellar transformer-coupled mic preamp and compressor/limiter featured separately in the 5012 and 5043 modules in a single unit, with all-analog, low-noise performance with flexible signal routing. Custom, high voltage and discrete op-amp cards have been designed especially for the 5088 that eliminate crossover distortion entirely. As soon as I run my mixes through it, it’s quite a big hit. ), providing a one-two punch of incredible isolation between channels and the sweet musicality that has become synonymous with Rupert Neve equipment.