Quad conductor with braided shield, All-Purpose Professional Dynamic Vocal Microphone, Multi-Purpose Vocal and Instrument Dynamic Vocal Microphone, Premium Electret Condenser Vocal Microphone. 1 x OM5 Vocal Microphone The pattern narrows significantly above 4kHz. -Eugene ‘Gino’ Mulcahy, Lead Audio Engineer, Mohegan Sun Casino, “I have carried OM5’s with me since 1995 as a great ‘get out of jail free’ card for almost any vocal application. Alone among the OM-series mics, the OM5 has an output transformer. A midrange boost from 3 kHz upward helps vocals cut through the mix on stage. Sign up to our mailing list to find out the latest news, updates, artists, and what we’re working on next. If I’m a system engineer, it’s my first recommendation.” -Rance Caldwell, Monitor Engineer, Crosby, Stills, and Nash, “I was able to simply unplug the front line of vocal mics and replace them with OM5’s to get a smoother, warmer sound at a higher gain with no feedback.” Once I found the Audix OM5, I didn’t have to compete with the other instruments on stage anymore and found the clarity I was searching for. Click the 'X' at the top right corner to dismiss this window. We tried it and haven’t looked back since. If you love good sound, you’ll love Audix mics.” The mid-range is tailored to provide an extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors. Audix OM5 is a handheld hypercardioid dynamic designed for lead vocals. -Bruce Duff, Production Manager, Knitting Factory Hollywood, “We were in rehearsals for the start of Bonnie’s tour when the OM5 was first introduced. I’m pleased to see that they’re showing up on lots of spec riders.” -Mark Frink, Live Sound Editor, Mix Magazine, “Alanis really helped pave the way for a new generation of female vocalists, and her OM5 has been there right from the beginning. Frequency Response: 40 Hz – 19 kHz: Polar Pattern: Hypercardioid: Output Impedance: 290 ohms: Sensitivity: 1.5 mV / Pa @ 1k: Capsule Technology: VLM Type D: Off-Axis Rejection >25 dB: Maximum SPL ≥144 dB : Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector We will use the information you submit through this form only for the purpose of sending you our e-newsletter. The pattern narrows significantly above 4kHz. The mic is a lot likeBonnie – classy, consistent, and rock-solid every time.” -Paul Hager, Front of House, American Hi-Fi, “Our club has low ceilings and a loud band is even louder on our stage. Finding the right microphone was half the battle. 1 x MC1 Microphone Clip OM5 has a tight, uniform hypercardioid pattern, with little to no rear lobe, and deep nulls at ±150°. With a wide frequency range of 48 Hz - 19 kHz, the OM5 employs a VLM™ (Very Low Mass) diaphragm for natural response, accurate sound reproduction, and exceptional transient response. The microphone shall be the Audix OM5. OM5 has a tight, uniform hypercardioid pattern, with little to no rear lobe, and deep nulls at ±150°. Did we get anything wrong on this page? Now I won’t play a show without it!” Audix OM5. They give me a true, uncolored sound to work with as opposed to other mics that have a built-in sound that sometimes works, but most of the time doesn’t.” It is a completely unconventional mic with an extremely low output level, no transformer and a fairly flat frequency response without any mid-range vocal peak. -George Rondinelli, Rondinelli Audio – Dubuque, IA, “The OM5 is the only mic that you can roll the High Pass to 120, turn it on and let it rip. Keep them coming!” -Scott Welch, Manager, Alanis Morissette, “Audix mics are simply the best whether you’re on a small stage or concert venue. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you’ve provided to them or that they’ve collected from your use of their services. -John P. Overstreet, Head Sound Engineer, Middle East Nightclub, Boston, MA, “OM5’s are the main vocal mics of choice for us and we’ve used them for years with no problems!” Accessory – External foam windscreen for OM series, 25′ right angle XLR mic cable. -ZZ Ward, Love 3X Tour, “With 3 stages running simultaneously 7 nights a week, it’s common for us to have 15 or more separate acts in a single night. Alternative suggested uses are the same as for the OM5. -Dan Mortensen, Dansound, Seattle, WA, “I have been using the OM5 for about 10 years and continue to receive lots of compliments on my vocal sound. 1 x P1 Carrying pouch, “It changed my life-it’s changed everything for me. They’re handier than a Leatherman® and, oh yeah, they get LOUD!” When the smoke clears, it’s the OM5 you see on the mic stands. I know that when I use my OM5, the mix is going to sound perfect.” The mic uses Audix’s VLM (very low mass) diaphragm, like the D-series dynamics. Rock-solid and built like a hammer. Frequency Response: 48 Hz – 19 kHz: Polar Pattern: Hypercardioid : Output Impedance: 200 ohms: Sensitivity: 2 mV / Pa @ 1k: Capsule Technology: VLM Type C: Off-Axis Rejection >30 dB: Maximum SPL ≥144 dB : Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback, and ability to handle SPLs in excess of 144 dB without distortion. If I mix the show, it’s my first choice. -Jay Forrest, lead vocals, Hopesfall, “Even with BOC’s thick instrumentation, OM5’s help keep the vocals in front of the mix. The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. It gives me a usable signal when other mics are unusable.” The OM5 has a frequency response from 48 Hz to 19,000 Hz, and tends to include all of the magical claims that Audix lauds on its microphones. Audix OM5 is a handheld hypercardioid dynamic designed for lead vocals. For one, the very low mass diaphragm of the Audix OM5 yields a higher output and a very, very fast transient response, … They’re reliable, consistent, and smoooooooth regardless of what PA system we’re using.” -Bad Assets, Jacksonville, FL. Login or register; Main Menu Specials Account Login Check Your Order Cart Checkout; All Categories; All Categories; Studio and Recording; Keyboards & Synthesizers; Microphones; Software & Plug-ins; Computer . The specified overall frequency range is 40Hz to 19kHz, and the sensitivity is slightly lower than that of the OM5, at 1.5mV/Pa at 1kHz. -Steve “Woody” La Cerra, Front of House, Blue Öyster Cult, “In addition to being a terrific sounding vocal mic, the OM5 has been my magic bullet when gain-before-feedback is an issue. Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector. -Paul Middleton, Front of House, Bonnie Raitt, “From side rejection to gain before feedback to overall transparency, the OM-5 is consistently a winner. When I became a touring artist I realized I was going to have to learn how to preserve my voice if I wanted to have a long career.