Okay, so the next approach we could use is let’s say we’re listening to those drums and we think well you know, I really like the decay on the drums. Parallel compression uses a send and return setup similar to how you would send signal to an effects processor. The term parallel compression is almost always heard when top engineers are talking about their recording or mixing techniques. Parallel—or New York style—compression is a technique where the dry (uncompressed) signal is blended in along with the compressed signal. What is parallel compression? It is the combination of the dry signal mixed with a compressed version. Take a watch and comment below if you have any questions, or if you use parallel compression in a cool way that you would like to share. Have fun! Share this Post. If you EQ out the part of the signal you want to enhance, the compressor will only be acting on the opposite frequencies. We list six along with tips to sidestep them. There are many benefits to using parallel compression, but like all techniques, there are also pitfalls. If you use a compressor with an external sidechain, or adjustable sidechain, you can feed the sidechain with an EQ’d version of the source sound. 6 Parallel Compression Mistakes in Mixing May 09, 2019. If you really crushing heavy parallel compression and mix it in lightly, then you can really highlight a track without making it too loud. Figures 6 and 7 were obtained using the Audio Precision test set, measuring the audio signal going through a parallel compression configuration in a DAW. Send or Duplicate? Parallel compression is a type of compression where by we place compression on an external send track, allowing the user to create a mixture of the dry signal (the audio signal without any dynamic changes made to it), and the compressed signal (coming from the send track). This is probably the most useful way to utilize parallel compression — and unsurprisingly the one I hear about the least. Pingback: 4 Reasons For Mixing At Lower Volumes - The Recording Solution. In a parallel setup, you can use heavier compression to pull more depth out of the source signal. It’s a great technique that allows you to shape the envelope or manipulate the feel of an instrument/s with just the use of a compressor. Home studio Mixing mixing drums new york compression parallel compression. By mixing in some of the dry signal, you can easily retain the original dynamics of the sound—even if you’re using extreme compression settings. So this is the first way to approach parallel compression using it as a tool to bring up some of those lower-level details, the decay and the ring on parts. How to Use Parallel Compression In other words, if you want to bring out the low end of a kick drum, put a high-pas… Parallel compression is a type of compression where by we place compression on an external send track, allowing the user to create a mixture of the dry signal (the audio signal without any dynamic changes made to it), and the compressed signal (coming from the send track). You can use parallel compression like a phase-free EQ! Whether you want natural sounding compression or obvious, energetic pumping, parallel compression is an incredible mixing tool. It’s a technique used by almost everyone and made famous by, for example, Andrew Scheps, Vance Powell and many others. Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing.Parallel compression, a form of upward compression, is achieved by mixing an unprocessed 'dry', or lightly compressed signal … Parallel compression uses a send and return setup similar to how you would send signal to an effects processor. It is the combination of the dry signal mixed with a compressed version. How to Use Parallel Compression Whether you want natural sounding compression or obvious, energetic pumping, parallel compression is an incredible mixing tool. There are two ways to set up your session to use parallel compression on the … If you really crushing heavy parallel compression and mix it in lightly, then you can really highlight a track without making it too loud. Comments 2. Read More In a parallel setup, you can use heavier compression to pull more depth out of the source signal.