For many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Petty & The Heartbreakers, Black Sabbath, Billy Idol, Paramore, My Morning Jacket, and many, many more. A limited edition V7 created in collaboration with Mr. Billy F. Gibbons of ZZ Top. The SM58 is our main stage mics;we have a couple Blue enCore's and several V7's for extras/ backups. x Length: 184 mm (7.24 in. Is your network connection unstable or browser outdated? It had a much more extended top and bottom and the off axis rejection was much, much better than either of the Shure classics." All in all, the V7 makes it easier than ever for your engineer to get an amazingly full, rich sound with minimal processing, so you always sound your very best. Depending on the vocalist, the V7 may even be 1st choice over an SM58. Microphones to go on sale include a 50th Anniversary Paul McCartney Shure SM58 microphone donated by Paul McCartney – one of only 300 made. ), - Ken "Pooch" Van Druten, FOH Engineer (Linkin Park, Justin Bieber, Kid Rock) - sE Artist, - Drew Thornton, FOH / Mix Engineer (Billie Eilish), - Luis “Lou” Rodriguez, Monitor Engineer (Big Sean), - Andy Meyer, FOH Engineer (Justin Timberlake, Madonna, Guns N’ Roses, Rage Against The Machine) - sE Artist, - Simon Ryder, Multi-Award Winning Audio Engineer (Panic! All files are downloadable @24-bit/48 kHz Wav It had a much more extended top and bottom and the off axis rejection was much, much better than either of the Shure classics." This is a "GREAT" mic, using Sweetwater's rating system. © 2020 sE Electronics International, Inc.All Rights Reserved. Although comparisons with the Shure SM58 are inevitable these really are different mics, the V7 possessing studio credentials usually associated with large-diaphragm condensers: a frequency range of 40 Hz-19 kHz. sE Electronics makes some high quality gear, from dynamics to ribbons. Please download one of our supported browsers. Your current browser isn't compatible with SoundCloud. (It's the little things that count.). With vast knowledge gained through working with countless engineers and bands, we have finally entered into the world of dynamic mics with the V Series - built to withstand rigorous touring schedules, while still performing better than anything else in their class. That prevents your mic from rolling around when you put it down on top of your amp or the stage floor. You need to enable JavaScript to use SoundCloud, A comparison of 3 dynamic microphones: the Shure SM58 and the sE Electronics V3 and V7. "We recently did a shootout with the new sE V7 handheld vocal mic against two classics, the Shure SM-58 and SM-7 and were very impressed with the V7. The V7's brand new, patented shockmount efficiently decouples the capsule from mechanical vibration, providing exceptionally low handling noise as compared to other mics in its class. Proven Neodymium magnets, tight production tolerances & high-end workmanship ensure excellent sensitivity, superior sound quality and superb consistency. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability. Users who like Microphone comparison: SM58 vs V3 vs V7, Users who reposted Microphone comparison: SM58 vs V3 vs V7. "It’s a breath of fresh air...I am a huge fan of the V7!". The DMC7 dynamic element in the V7 has been custom-developed for a crisp, open sound that perfectly captures your voice in the most natural way you've ever heard on stage - and its sophisticated supercardioid capsule design helps isolate your voice from other instruments, ensuring vast amounts of gain before feedback. Each was positioned next to each other, pointing at the source and connected to identical signal chains, preamps and conversion via the JoeCo BlueBox. A comparison of 3 dynamic microphones: the Shure SM58 and the sE Electronics V3 and V7. A wireless version designed for use with Shure® handheld transmitters. This means you can feel free to move around on stage without fear of rumbles, pops, or anything other than your voice coming through. The V7 has proven to be a keeper. Efficiently reduces unwanted wind noise and plosive pops....and just in case you don't like our stylish "sE Red" color, we've included a spare black windscreen in the box for you. The V7's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come. Need help? Each was positioned next to each other, pointing at the source and connected to identical signal chains, preamps and conversion via the JoeCo BlueBox. Diameter: 54 mm (2.12 in.)