Starting with the KH 120 in 2010, Neumann offers his expertise in electro-acoustic transducer technologies to the studio monitoring market, and is now the perfect partner for both the front end and the back end of the audio signal path. It has made a name for itself as an extremely high quality condenser microphone that specializes in vocals and acoustic guitars, but that can handle just about any type of instrument. The Neumann TLM 103 is one of the best-known microphones on the market.. Its visually unobtrusive cardioid capsule had a diameter of only 17 mm. The sound of our 1950s tube classics recreated with trouble free FET circuitry, State-of-the-art small diaphragm condenser microphone, Small size – big sound: Neumann’s most affordable large diaphragm microphone. The TLM 103 is fast becoming a standard for home recording and the music industry. A reference class small diaphragm microphone with a consistent omni pattern, independent of frequency. Super clean and super great on any musical instrument. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection. Switchable Studio Microphone (Mod. Neumann’s first Lavalier microphone. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5kHz, and above that, a wide flat 4dB presence boost. Its pristine, clear sound is a modern update on the classic U87. Compact DSP-controlled closed cabinet subwoofer. $799.00. You can also call us toll free at (800) 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. For its 40th anniversary the U 87 was offered as a special set in a unique retro style case. Our expertly trained Sales Engineers are ready to help! The tube microphone that defined the sound of the 1960s. The KMF 4 i could operate on phantom power or batteries. The original is back! Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound. By focusing on the essential features that are important for most home recording users, Neumann was able to offer the TLM 193, a cardioid microphone for smaller budgets in this increasingly larger area. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. With TLM technology the usual output transformer is replaced by an electronic circuit. The letters TLM stand for "transformerless microphone". However, it used the same nickel capsules previously found in the KM 56 tube microphone. The TLM 49 uses the same capsule and the same iconic headgrille design as the legendary M 49. While stationary disk cutting lathes engraved the signal in heavy wax disks, the R 21 used gelatine foil as its recording medium. The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. To learn more about our cookie policy, please check our Privacy Policy. A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. The digital version of Neumann’s acclaimed TLM 103 large diaphragm condenser microphone. All functions may be remote controlled via the AES 42 interface. A stereo shotgun microphone with external matrix box. Neumann TLM-102 Studio Condenser Microphone Studio Set (Nickel) with AKG K 240 Studio Pro Headphones & XLR Cable Bundle 4.6 out of 5 stars 15. Exclusive deals, delivered straight to your inbox. High-resolution tri-amplified near-field monitor, optimized for midrange and a dry bass sound. € 1.434,00. Store Hours, If you have any questions, please call us at (800) 222-4700. Phone Hours | Designed as a successor to the U 87, the U 89 was eventually recognized as a classic Neumann microphone in ist own right. The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. Neumann’s first microphone with a dynamic capsule. With a self-noise of only 7 dB-A the TLM 103 is one of the quietest microphones available. A unique omnidirectional tube microphone, based on the legendary Neumann M 50 of the 1950s. The KH 810 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects. It used the same large diaphragm capsule as the U 47 and ranks among the most sought-after tube microphones of all time. They are available to offer you personalized product advice any time you need it. Rare is the recording – whether classical, rock or Pop, news broadcasts or radio dialogue – which doesn’t feature at least one Neumann microphone. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs. Naviga tra le offerte di microfono neumann tlm 103 pubblicate dai negozi di strumenti musicali ai prezzi migliori. The USM 69 i is an updated version of Neumann’s large diaphragm stereo microphone SM 69 fet. This mic is also robust enough for the live stage, as Jack White has employed the TLM 103 to mic amps in live situations. By the time the N7000 series was introduced, Neumann had already built mixing consoles for almost 30 years. Its titanium capsule is flush mounted in a small sphere to increase directivity at higher frequencies – ideal for DECCA Tree techniques. Its functionally optimized design features an elastic suspension. The AM 31 was the successor to Neumann’s first disk cutting lathe AM 29, which was still belt driven. The Neumann TLM 103 large-diaphragm cardioid condenser mic boasts a capsule drawn from the U 87 and transformerless circuitry not to mention classic Neumann sound! The AM 31’s innovative oil-damped direct drive ensured an extremely even rotation. Compared to the U 87 i, the U 87 Ai has minor changes in the electronics: higher operating safety, increased transmission factor, improved S/N ratio, omitted internal battery supply. A stereo shotgun microphone for broadcast, film, and on-location applications. A state-of-the-art microphone preamplifier with integrated headphone monitoring. Such is the Neumann TLM-103, which we’re going to review in this article. The System KM A/D is a modular microphone system for even the most demanding applications. The cardioid TLM 103 utilizes a tried-and-true transformerless circuit found in high-end Neumann microphones to achieve its otherwise unattainable low self-noise and the highest sound pressure level transmission possible. The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. Instead of cardiod and omni patterns the U 48 offered cardioid and figure-8. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction. The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system. The TLM 107 is a state-of-the-art large diaphragm microphone with high-definition sound in five directional patterns. Off-axis sounds are rendered naturally while isolation is increased. The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. Big sound for small studios: The TLM 102 is Neumann’s most affordable large diaphragm condenser microphone to date. Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. Its high directivity makes the KM 185 an excellent problem solver for demanding applications such as drum recording. Introduced as a successor to the legendary U 47 tube microphone, the U 47 fet became a Neumann classic in its own right. TLM 103 Large-diaphragm Condenser Microphone - Nickel, Large-diaphragm cardioid condenser microphone, Pressure gradient transducer with one-diaphragm capsule. Lead Powering). Due to its complexity on a small footprint the KM 56 ranked among the most expensive microphones of its era. Neumann’s first solid state microphone. No project is too big or small, so give us a call today and let's talk gear! Neumann TLM 103 Cardioid Condenser Microphone. A miniature microphone with a detached amplifier. Get Directions | The Neumann TLM 103 large-diaphragm cardioid condenser mic boasts a capsule drawn from the U 87 and transformerless circuitry — not to mention classic Neumann sound! Conceived as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern studio standard. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules. One of the best mics on the planet for the price! The KMS 104 D is the digital version of Neumann’s cardioid stage microphone KMS 104. It uses the same capsule as the legendary U 47 combined with an innovative transformerless tube circuit.