Indeed, not obvious at all. Choosing the right one is another challenging task. 6.). The compression action on the U73b is very smooth even on aggressive settings. I always mix through my compressor from the very start. Hey there! Spl iron and kotelnikov, Pulsar MU, SSL 4000 G Bus Compressor, UAD API 2500 Bus Compressor get a lot of work... lots of random stuff I pull out for parallel work on buses, DMG Audio Trackcomp 2 (mostly 2k5) / Vertigo VSC-3 / Pulsar MU / DDFM Magic Death Eye / AR-1. I just love how the FG-RED compressor glues my mixes together. Mk2, HQ-mode on. Thank you my friend, that was really nice of you to say. My gain reduction VU meters in VBC rarely hits 3. That and Pulsar Mu are awesome. AR Mastering. Slow songs I prefer to use Vari-mu types, Tube STA types. I think I will..! Sounds great there are tons of them available in the market and choosing the best is really challenging. Not so much feedback about it, wanted to get one... Quinto makes great comps and his tube modeling seems very good too, but sometimes there are freaky bugs...). I found it in the manual after I purchased. That’s the sound that Austin, TX-based Warm Audio has set out to bring within reach of every even halfway-serious studio.The Warm Audio Bus Compressor is exactly what it says on the tin. Anyone using TDR Limiter 6 on the mix bus? I’m really liking the Sonimus SSL compressor recently. In expert mode, on the release field there is a knob called "Prog Dep" which goes for program dependent. But I use the Drawmer S73 multi band compressor on my 2 bus after the signal comes into my Daw from my hardware I hit it with the S73. the bx townhouse compressor. best mixing course gearslutz provides a comprehensive and comprehensive pathway for students to see progress after the end of each module. This is my current favorite for bus duties when I need attitude. In original mode. I just picked up the Kotelnikov GE for $19, absolute no brainer. Related, The Best Compressors For Mixing Drums Universal Audio 1176. The BX townhouse compressor. (My 2-bus chain for nearly everything these days is all TDR: Kotelnikov followed by Slick M EQ followed by Limiter No. So Gearslutz! With a team of extremely dedicated and quality lecturers, best mixing course gearslutz will not only be a place to share knowledge but also to help students get inspired to explore and discover many creative ideas from themselves. It’s a challenging task for us to use mix bus compressors properly. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. That said, I can get a bit more out of Unisum, and it's HYGGE on this particular track won out but with the controls in GE you can match or get very close to Unisum. It's blowing my mind on drums on this particular project, tempted to try it on the 2 bus down the road ...354/Limitless not going anywhere on this record!! Gently kissing the mix, 0-2 dB, pretty fast attack/release. Meet The WA-Bus Compressor. These preferences are formed as much by how each of us use the compressor and what kind of impact we expect the compressor to offer to the mix. Klanghelm MJUC, Sonimus Satson CS, Klanghelm DC8C3, Tokyo Dawn Kotelnikov, Sknote SDC, Lindell 254e. Quote: Originally Posted by Beastie Like UBK said - ive heard many people rating the red3 as a vocal comp as well as mix bus It's true, the red is an awesome vocal comp, but what I actually meant was that using it on the 2mix does amazing things for the vocal. Sknote just updated the A25 (API 2500 emu) with negative gain setting. The best compressor plug-in ive ever heard. Solid State Logic’s 4000 series mixing console played a significant role in defining the sound of ‘80s pop and rock, and while there are a few plugin emulations of its all-important bus compressor available today, our favourite is that of Brit developer Cytomic - mostly for its vibe and sound, but partly because of its comparative affordability. The Best Compressors For Mixing Drums. What’s your favorite mix bus compressor plugin in 2020? To set the record straight, there is a huge sonic difference between mixing into a stereo compressor from the outset versus slapping a stereo compressor on the mix bus just before you print a mix. The comp itself has some kinda voodoo around 1k that's not quite like anything else I've e