Three recessed switches on the rear of the mic body provided: The mic was introduced in 1993, and later replaced in AKG’s lineup with the C 3000 B, a single-capsule electret condenser mic that had little in common with the original but a name and body shape. I ended up using the C3000 track on it's own for almost all of the mix, and it produced a nice fast, articulate snare sound. I have a couple of these, and have had them for some time. Black housing. Kind of eggy shaped. If you have to buy it, use it for door stop or peperweight - all though I could find WAY more good looking paper weights in the world of audio equipment! In a pinch, a pair will work for OH' first choice? IMO a worthwhile investment for a budget all round LDC if you havent got money to splash on lots of mics. Firstly the cons Not the most attractive mic out there, or the best. It's cheap, and it is a fizzy, ear piercing piece of crap. I ended up going back to my JM27 for track zero overheads. Two separate capsules were mounted inside the headbasket — a large-diameter cardioid capsule and a small-diameter hypercardioid capsule. I haven't tried it, but I bet this mic would be great for snare bottom too. Find helpful customer reviews and review ratings for AKG C1000 S Condenser Microphone at No, of course not. Where these really excel is they have a supercardioid mode. Both capsules are shockmounted to reduce noise. if you're looking for a budget microphone, maybe you don't want to spend a couple of grand for the 'classics', then this is one to go with. For me', the AKG C3000 just took up more space in my mic box than I was able to justify. Especially on trumpets, I chose the C3000 recording, from a Rode NTK recording, a mic I had at that time against the AKG. The AKG Acoustics C 3000 is also known as: C3000. The neighbours kids or a persistant door salesman... This is the first mic I acquired and I can't believe the mileage I've gotten out of it. The placement of the microphone is fairly simple. What needs to be said is that since these were my first, and since almost all of m meaningful experience with LDCs follow them, I may actually lack the language to describe them adequately, even though their sound is forever stuck in my head. Not pleasing at all. Drums - as overheads, they don't capture the THUMP in the drums. Once again, any mic can do it better...even the Joe Meek. Acoustic guitar - again, the AKG is scratchy on the eardums, as if it overloads on highs. We ended up spot miking several things with the dynamics, and used these 3000's as a spaced pair at stage front, and I have to say they did a pretty decent job of capturing what went down accurately enough. Recording Tricks: AKG C 3000 Mic | Did we get anything wrong on this page? I ran this mic, and an SM57 side by side, thinking I would use the C3000 on the sections where the brushes were played. A sound investment for every studio The C3000 high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. Perhaps it is not only hard, but extremely difficult, placing these mics and, in particular, finding the sweet spot of it. Glassy is the word I'd use. There are far better mics out there. So I bought a pair of silver C3000. Both capsules are shockmounted to reduce noise. The original C 3000 was released in 1993. When recording 'Track Zero' (that first stereo track of a band performance, that will later be deleted by individual solo recordings), I have always used a pair of Joe Meek JM27. I haven't tried them with a band that plays extremely loud, but for quieter acoustic-oriented acts, they work great, even with a large sound system. al. john. They sounded more "expensive" than they were, and everyone was quite happy with the way the recording came out. This review was originally published on The versatility of the microphone makes it a fine choice for the variable recording applications that may be presented in a studio environment. I've used this mic pretty often for female vocals (mainly rough but sometimes ended up using as final on a track), for acoustic and electric guitars, distant mic for trumpet and for viola and cello. If you try and use it for vocals without a treated room, you will wrestle trying to focus on the subject. AKG Acoustics C 3000 B Cardioid Condenser Microphone The C 3000 B is a second-generation “C 3000” condenser microphone. We were all surprised at how much high freq detail they picked up at that great of a distance. It looks cheap, but it is cheap too! On the other hand currant prices are about £199 which for the AKG Quality in general and for the quality of this mic in particular is amazing, you wont get many good condensers from such a well respected brand, I recommend this Mic for any studio. This mic, along with the Røde NT1, is one of my idiosyncrasies. I myself feel a bit neutral about it, it served me 'well' the 2 years I spent with it and that's all. It was black in color and had two separate capsules It's an Austrian made ear-ice-pick painted black. I run in to this confusion often, so I wrote an extensive comparison article: To further confuse matters, the C 3000 B was relaunched in 2012 as the “C3000;” see sidebar links for details. So it was with this mic.